About

Hello, I’m Gene.

If you’re here, a friend of mine has likely passed along my name — and you’re probably looking for someone who can help your artist walk onstage every night feeling confident that the show will sound exactly the way it’s meant to. 

Touring days are unpredictable, but the mix shouldn’t be — and that’s the part of this job I love most.

I’ve spent years in churches, theaters, clubs, arenas, and festival fields, and somewhere along the way I realized something important: great mixes are valuable, but peace of mind is the real service that I provide. 

My role isn’t just making a mix emotionally connect with an audience — it’s creating the kind of consistency that lets the whole camp breathe easier, from the production office to the local crews, all the way to the people who’ve spent their hard-earned money to come watch the show.

I’m endlessly curious about audio networks, loudspeaker deployment, and the small decisions that separate good from great. I prefer a hybrid workflow — Waves, UAD, and a healthy amount of analog outboard — but I’m also console-agnostic. Tools are tools, not an identity, and the goal is always the same regardless of what’s in front of me: deliver the experience the artist wants the audience to have, every single night.

I’ve toured with SSL, Yamaha Rivage, Avid S6L, and DiGiCo Quantum/SD consoles, and I’m comfortable handling daily multitracks for archiving, social content, or supervising mixes for broadcast performances.

Most of all, I enjoy working with people who care — people who chase the details, are willing to protect a healthy tour culture, and believe the best work comes from a crew that wants both the artist and the audience to win.

Thanks for stopping by,
– Gene